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Charles Brock’s inspiration

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Grave of the Fireflies
| May 05, 2008


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After the discussion with Michael on the Kye Sakamoto inspiration, I thought I would post this.


From Wikipedia.

Grave of the Fireflies (火垂るの�", Hotaru no Haka?) is a 1988 anime movie written and directed by Isao Takahata for Shinchosha.[1] This is the first film produced by Shinchosha, who hired Studio Ghibli to do the animation production work. It is an adaptation of the semi-autobiographical novel of the same name by Akiyuki Nosaka, intended as a personal apology to the author's own sister.

Some critics—most notably Roger Ebert—consider it to be one of the most powerful anti-war movies ever made. Animation historian Ernest Rister compares the film to Steven Spielberg's Schindler's List and says, "it is the most profoundly human animated film I've ever seen."

Taking place toward the end of World War II in Japan, Grave of the Fireflies is the poignant tale of the relationship between two orphaned children, Seita (清太) and his younger sister Setsuko (節子). The children lose their mother in the firebombing of Kobe, and their father in service to the Imperial Japanese Navy, and as a result they are forced to try to survive amidst widespread famine and the callous indifference of their countrymen (some of whom are their own extended family members).

The movie begins in Sannomiya Station, and shows the second main character: Seita, dying from starvation there in rags. A janitor comes and digs through his things, and finds a candy tin, containing Setsuko's ashes. He throws it out, and from there springs the spirit of Setsuko, Seita and a group of fireflies. The two spirits provide narrative throughout the story. The film is, in effect, an extended flashback to Japan, at the end of World War II during the Kobe firebombings. Setsuko and Seita, the two siblings and protagonists, are left to secure the house and their belongings, allowing their mother, suffering from a heart complaint to proceed to a bomb shelter. They are caught off-guard by a batch of bombs dropped in their vicinity, although survive unscathed. Their mother, however, is caught in the air raid and dies from burn wounds. Having nowhere else to go, Setsuko and Seita go to live with their aunt, and write letters to their father. On the second day that they stay there, Seita goes out to get the left over supplies which he had buried in the ground to preserve before the bombing which killed their mother. He gives all of it to his aunt, but hides a small tin of fruit drops. This tin of fruit drops later proves a recurrent icon in the film. Following cruelty from their aunt, who gives them barely enough food, insults them and sells their mother's kimonos for rice, which she keeps for herself. Seita and Setsuko finally decide to go and live in an old, abandoned bomb shelter. Gradually, they begin to run out of rice, and Setsuko begins to starve. In desperation, Seita removes all the money from their mother's bank account, when he learns of his father's death. He buys a large quantity of food, and rushes back to the shelter, where he finds Setsuko hallucinating. She is sucking marbles which she believes are fruit drops and offers him 'rice balls' which are really only made out of mud. Finally, she dies of starvation. Seita cremates her, using supplies donated to him by a farmer and leaves her ashes in the fruit tin, which he carries with his father's photograph, until his death.

At the end of the film, the spirits of Seita and Setsuko are seen - no longer raggedy and etiolated but healthy and well-dressed - sitting side by side as they look down on the modern-day city of Kobe.



Tags:  anime, japanese, two, world war

Topic: Film

Creative Dialogue

2 Comments |[ Add Comment ]

Kellner Design
on May 05, 2008

When Americans talk about "war crimes" we generally think of atrocities committed by others, by "foreign" nations (however the present lawless administration should by now have given every citizen plenty of cause for alarm, revulsion, and soul-searching, if not outright civil disobedience.) Howsoever, Americans by and large don't think of war crimes committed by our government and its military during what's come to be known, in a questionable abuse of language, as "The Good War."

Indeed many Americans, familiar enough with the fact, if not the details, of our use of the atomic bomb (still the only nation ever to do so) may yet know nothing of our fire bombing Japanese cities and their civilian populations preceding the mushroom clouds over Hiroshima and Nagasaki.
Whether you know about the fire bombings of Kobe (650,000 homes destroyed, a million more damaged, almost 9,000 dead) and Tokyo (over a million homes destroyed, more than 100,000 dead, 125,000 wounded) these horrific events are not easily fathomed and seem to offer little more than dread and shame, or academic debates about "unconventional" warfare, and ending the war in the Pacific.

However, among the "see also" links of a Wikipedia search on the subject you'll find, oddly it seems, a 1988 anime film called "Grave of the Fireflies." To understand how an animated movie (we called them "cartoons" when we were kids) could be linked, literally in this case, to an historical account of America's firebombing of Japan during WW2, you need only see the film.
It's difficult to think of a better, let alone another, visual telling of the story about the destruction of Kobe than this strangely quiet and haunting masterpiece... the B-29s drone through blue skies at high altitudes, they drop their payloads but explosions don't follow; instead there's the eerie rattling of metal tubes striking the ground, the rooftops... then chaos.

No one who has seen it can forget it and no one who will see it will be unmoved. There are many ways the film inspires despite its unflinching view of a war-ravaged people, and it's not an easy or simple experience to watch this picture. Yet among the terrors and grief, the film has beauty and humor and a sentimentality that's true and earned and therefore heartbreaking.
I've had a DVD of this movie for several years, and though I watch it only rarely, I wouldn't think of not having it. This unique film provides, through its child-protagonists and artful use of imagery and sound, a kind of hushed and numbed amazement at a world gone insane with Death, while ultimately its persistent insistence on Life, here and in the hereafter, instructs and enlightens.
Thanx, Charles.

 

Karen Horton
on May 06, 2008

This was probably one of the saddest films I’ve ever seen. Still its one of my favorites.
Its a very different tone from Grave of the Fireflies, but I also recommend Pom Poko (directed by Takahata).

 

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